Jill Fannon

A Year in Photos by Jill Fannon

Starting in January and ending with today, a photo essay that captures the fleeting intensity of 2022

Chelsea Gregoire, a Baltimore native and award-winning bartender, wants Church to be a place of community where power is truly with the people

Church seeks to create a space unlike any other, a place of community and gathering much like that of an actual church but without the fear of being shunned or castaway into the murky margins as an outsider.

After immigrating to the US from Laos and working in restaurants for 15 years, Mona Kettavhong opened the Hampden restaurant in 2021

From her friend’s mom who decided to live in Maryland, to the sugarcane operator who pushed her forward, to the friend who introduced her to her wife—each of our lives is a glass box covered with the fingerprints of others.

Photos from Comic-Con 2022 at the Baltimore Convention Center by Jill Fanon

The best place for Cosplay in Baltimore is the 23rd Annual Comic-Con, hosted October 28-30, 2022 downtown at the Baltimore Convention Center.

The Memphis-born artist sees the transformative power of improvisation and repurposing

No longer an athlete, or even a die-hard sports fan, Donahue is more concerned with the storytelling aspects of sports.

How the artist balances athletic, energetic personal work with a bustling creative business

Walker hitchhiked to Baltimore at age 18 and fell in love with the architecture and culture of the city immediately.

John Tyler, a multi-instrumentalist, created Love Groove Festival to enable visual, musical, and performing artists to mix

“I was so in love with everything, and it seemed like a good way to bring different communities together," Tyler says.

Tierney’s mixed-media assemblages link humans and climate

The objects Tierney employs trigger memories and personal associations, but they also represent systems, histories, industries and labor, and the environmental impact of it all.

Moses sees her role as a curator as a community builder

Moses' curatorial project, the Maryland Institute Black Archives (MIBA), uncovered the erased history of Black students at MICA and documented as many stories from present-day Black students, alumni, faculty, and staff as possible.

Baltimore Pride Takes to the Sea

Photo Essay: A Three Hour Cruise Featuring the Absolutely Dragulous Brunch Bunch

Subscribers, Contributors, and Featured Artists Celebrate our Collect Issue

A Garden Party for BmoreArt's subscribers, who made Issue 13 possible, as well as featured artists, contributors, and media partners

An interview with three of the twelve students participating in the annual show

MICA's Annual Benefit Fashion Show returned in person for the first time since the pandemic started.