Visual Art

Visual Art

Kerr Houston on John McNeil Whistler's Etchings of Venice at The Freer Seated in the Johns Hopkins Special Collections reading room, I’m looking at an odd little booklet. Assembled in ...

Michael Farley on Prospect 3 New Orleans - Part 2 Trying to see all of P.3 in one weekend is not a good idea. I get really cranky when I'm ...

Ian MacLean Davis on “From These Woods” by Really Large Numbers, presented at D Center Baltimore by The Institute of Contemporary Art Baltimore Really Large Numbers is the name chosen ...

Michael Farley on Prospect New Orleans 3 - Part One in a Series I'm in New Orleans for the third installment of the Prospect Biennial (P.3), but I'm having a ...

For the past fifteen years, Bathgate has built, modified and used a variety of metalworking tools and machinery.

Bathgate’s body of work is comprised of intricately machined metal sculptures that represent the combination of his unique metalworking style with a pragmatic, logistics-based approach to engineering complex metal objects.

Marking the 25th anniversary of Spike Lee’s Do the Right Thing (which was named a “culturally significant” work by the Library of Congress and earned a place on the American ...

Kerr Houston interviews Ricky Lee Gordon Over the past few years, Ricky Lee Gordon has become one of the most visible figures in what is sometimes called global muralism. Working ...

Kerr Houston reviews History Doesn't Laugh at Goodman Gallery When Hank Willis Thomas first showed his work at the BMA in 2009 (in conjunction with a residency at Johns Hopkins), ...

Alloverstreet reviewed by Michael Farley Whenever I know I’m going to see a lot of art in a short amount of time, I brace myself in anticipation that I won’t ...

Annegien van Doorn at Foam by Kerr Houston So maybe your duties have lightened in the summer, or you’ve got a hard-earned week or two off, and maybe you have ...

Photos and Audio from BmoreArt Talks with Rashid Johnson and Mera & Don Rubell

Learn all about being "dumb like a painter," about how art collector couples "cheat" on each other, and what Post-Blackness actually means.

Benjamin Andrew and Ian MacLean Davis discuss solo exhibitions by Ryan Hoover and Joshua Haycraft at Hamiltonian Gallery, Washington, DC, on view through May 10

  Joshua Haycraft: “20XX Future Guaranteed” Ian MacLean Davis: Since 2007, Joshua Haycraft’s artistic practice has focused almost exclusively on BHBITB, an installation project which serves as satire of contemporary ...

Like the term ‘imaging,’ which is rife with a newish and vague potential, the six students all utilize modern media and digital process professionally, dramatically, and effectively.

What is refreshing about this work is the way all six artists are able to seamlessly blend new media with traditional, hands-on process to present varied, personal, and physical results.

An Introduction by Kerr Houston and Jennifer Watson It is futile, perhaps, to try to identify the precise moment at which Western art criticism came into being. Was Plato the ...

Translated by Kerr Houston and Jennifer Watson A letter to Mr. de Poiresson-Chamarande, Lieutenant General At the bailiff’s office and presidial bench of Chaumont in Bassigny. Regarding the paintings shown ...

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