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343 results
Ronald Jackson's Profiles of Color III: Fabric, Face and Form at Galerie Myrtis: An Interview by Angela N. Carroll The contemporary art world is experiencing a renaissance in Black portraiture. A ...
The first thing I noticed at The Bluebird cocktail bar was the colors of its walls. It’s not quite Navy Blue and not Pthalo either. It’s a matte Midnight Blue ...
If you have never encountered the concept of camp before, but saw some of the pictures of what the glitterati were wearing to the Met Gala, you might be forgiven for thinking it had something to do with ruffles, feathers, and general absurdity in fashion.
The artist-activist collective FORCE: Upsetting Rape Culture disrupted a busy road in 2016 with stories from survivors of sexual assault and intimate partner violence. These stories, written and depicted onto ...
Installation artist Megan Koeppel is interested in materiality above all else. Using pulverized paper pulp from her day job and textile scraps sourced entirely from SCRAP B-more, Koeppel challenges herself ...
An interview with Marquis Revlon Clanton and Joseph Plaster on the historic collaboration between JHU Peabody Library and Baltimore's ballroom community
What’s especially inspiring about Rountree’s collection is that it’s personal, relational, and manageable in the relatively small Petworth rowhouse she shares with photographer Jati Lindsay, her husband, and their two-year-old daughter.
Ostermann’s visual art functions as a commentary on and celebration of celebrity culture and so-called feminine touches like roses and lipstick. Her paintings often mash up imagery of specific objects, like Kim Kardashian’s engagement ring, with stand-ins for fertility and farce, like sliced oranges
As a pragmatist and the editor of an independent publication that collaborates with artist groups and cultural institutions, I see so much room for improvement in the language and accessibility employed to attract new audiences
A photo essay by Jill Fannon with highlights, guests, and fashion from this the BJC's 2019 Ornamenta party
“We don’t know the contour of feeling; we only know what molds it from without.” – Rainer Maria Rilke (1875-1926), Fourth Duino Elegy Ursula von Rydingsvard's soothing wooden sculptures were ...
A range of strategies for beginning a collection-from how to conduct research, studio visits, payment plans, and the need for cultural ownership and preservation
Wanting More from the Rodarte Fashion Exhibition at the National Museum of Women in the Arts by Dr. Jordan Amirkhani For the first time in its thirty years of programming, ...
Themes, Content, Materials, and Aesthetics across all the Art Basel Miami Fairs by Michael Anthony Farley Love or hate art fairs, there's no denying that they're one of the best ...