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Erenberg’s paintings animate their urban surroundings and seem to breathe themselves.
Collectively these pieces speak to our very human impulse towards making, documenting, and memorializing that extends beyond the early Modern era.
This fall, after working months in her studio, de la Brown is responding to what she uncovered in the archives with a public art installation in the George Peabody Library called Be(longing): Unveiling the Imprint of Black Women Hidden in Plain Sight.
This Week: Nicoletta Daríta de la Brown at JHU, artist talk with Wayman Scott at Baltimore Clayworks, BLK ASS FLEA MKT at Museum of Industry, Dr. Sampada Aranke lectures at the Driskell Center, Clayworks Winterfest Preview Party, Under $500 at MAP, and more!
If an institution cannot successfully function without the direct engagement of its founding director, clearly it is not yet sustainable or ready to successfully onboard a successor.
The Museu de l’Art Prohibit is, according to its founders, the first of its kind: a museum dedicated to the collection, preservation, and display of art that has been censored (in one way or another) elsewhere. Its contents are equal-opportunity offenders—having already outraged every religion.
Photo Alert: On Saturday, October 21, the Walters hosted its annual gala fundraising event and opened its doors to some of Baltimore's best-dressed arts patrons and creatives.
While a Mid-Atlantic November is anything but meteorologically predictable, the BmoreArt team has assembled a fall arts forecast that’s full of sure bets.
Baltimore Is Truly a City of Artists. This New Book Aims to Explore Why and How from a Variety of Diverse Perspectives.
Finding Ourselves at the Corner of North and Charles: Photos, New Memories, and Creative Achievements of Artscape 2023
Center Stage’s new Indigenous Art Gallery and the exhibition Taking Space at Creative Alliance authentically engage with and serve the communities of color in which they are based
Although the work was created out of loss and grief, there is little sadness to be found. Quite surprisingly, the paintings burst with energy and connection, with the promise that everything is a cycle; there isn’t really an end.
Three Baltimore exhibitions—whose initial themes and materials are varied between abstraction, surrealism, and fiber arts—are connected through the energized spaces that the works build and each artist's dedication to their chosen focus.
Actress (on strike) and writer (no longer on strike!) Liz Eldridge on why John Waters' mainstream acceptance restores her faith in filmmaking.
I so wish more art spaces from the Baltimore/DC region participated in smart, well-curated smaller fairs like this—putting local artists in dialogue with international peers and in front of international audiences and kingmakers.