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For the second annual Baltimore MET Gala, the stylish elite took on the theme of the four elements: earth, air, fire, and water.
Frazier and Griffin's shared vision has made possible a series of narrative works that bring otherwise overlooked corners of Baltimore to the forefront of public attention.
As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.
There’s a chance one of Graham Coreil-Allen’s artworks has saved your life. Coreil-Allen’s collaborative “painting” practice—colorfully cascading across sidewalks, asphalt, and other infrastructure—is as much about the objective probability of preventing deaths as subjective aesthetics.
This Week: Motor House DAP Showcase featuring The Storage Unit Collective at Keystone Korner, Hyunsuk Erickson, Kini Collins, and Fanni Somogyi exhibition opening at Creative Alliance, Vagabond Player's "Witness for the Prosecution," and more!
Memorable and Award-winning Essays, Illuminating Baltimore's Cultural Landscape in Unexpected Directions This Year
While the Walters has been able to boast of one of the strongest collections of Ethiopian art in the world since the 1990s, the current exhibition offers a meaningful attempt to tell a complex and relational visual history in unprecedentedly detailed ways.
A Vast Network of Creative Community is Revealed in the Enigmatic Artistry of Quilter Elizabeth Talford Scott
Stellarium Jewelry, The Modest Florist, La Loupe Design, Studio JMCG Jewelry, Camp Small, New Vintage by Sam, Bazaar, Local Color Flowers, Baltimore Spirits Company, Taste This Cake, Sacred Ashes, Baltimore Print Studios, Personal Best Ceramics, Milkweed Ceramics, 228 Grant Street Candles, Baltimore
Liberty & Injustice features labor-intensive, clever, immersive works of art that captivate and inform.
Is this a good year for galleries? That depends on who you ask. At the main fair, booths with challenging or innovative artworks are about as common as faces with intact buccal fat—they're few and far between and take some effort to spot.
To say the work is political would be an understatement. To paraphrase her aunt at the opening: "Hey Heidi why don’t you tell us where you stand politically?" But it is more than that, it is about being an artist, being a mother, being a partner, and being a feminist in these ever so uncertain times
"Pa’ Mi Gente" is a love letter to the Puerto Rican diaspora in Baltimore and beyond.
Pothik Chatterjee’s global upbringing—Kolkata, India, Dubai, Paris, Abu Dhabi, and Jakarta—is abundantly clear in his abstract art on display in a solo show at Highlandtown Gallery.
Subscribers, Expect Your Copy of Issue 16: Collaboration this week!!