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“The histories that collide are not just the histories of the Greco-Roman civilizations and Egypt, but also art histories and ways of framing these moments."
True to its title, the solo show features a playful sampling of Toelke’s varied mediums and practices—from bold, colorful works on paper depicting jewels to actual jewelry, such as pendants, rings, and a new take on the vintage charm bracelet.
There are so many rich and meaningful layers of complexity in this exhibit, its inspiration, and its significance, both for those directly impacted, and more universally, by drug overdose and opioid addiction.
The artworks in "someone decides, hawk or dove" take their visual note from artefacts, architecture, flags, and musical instruments that point to a collective ongoing reckoning with the global colonial project.
How do we evaluate Artscape's success? After a three year hiatus, Artscape returns with leadership placing our creative economy at the center of their story.
Celebrate the new home of Night Owl Gallery with a paper cutting workshop tonight, Wednesday September 20th, from artist Rosa Leff, and reception Friday, September 22nd.
On September 23rd, Hand to Eye: A Print Fundraiser for NoMüNoMü will release exclusive, limited-edition portfolios, including 14 works by local artists.
Photos from Open Works, Area 405, Gallery CA, Night Owl Gallery, the Style Lounge Boutique, and more!
Rhizome DC hosts a Saturday art market and Sunday panel discussion in celebration of their current exhibition "Existence as Protest: The Art of Trans, Queer, and Gender Expansive Experience."
The images in Lost Boys can feel haunting, due to the deaths of both author and subjects. But in the end, this is a show that generates considerable power from the process of making present.
Visits to two museums in San Juan: the Museo de Arte de Puerto Rico and the Museo de Arte Contemporáneo de Puerto Rico
Among art collectors, Kudrnac is ecumenical and unpredictable, unusual because of his willingness to trust his own instincts and to invest generously, including objects considered craft and furniture.
To the naked eye, the Castle is a watering hole for stickers, stamps, and watercolors (for the Lumieres and Cogsworths of arts and crafts). But, beneath the surface, it’s so much more.
Rice’s work is so successful because she uses documents, data, maps, and other tools that create the foundation of her lived experiences as a middle-aged white woman in America to create large-scale, labor-intensive, craft-based pieces whose effect is simultaneously visual and conceptual.
What I love about running and specifically about running with A Tribe Called Run is just this: everything you can see and learn on a long run in Baltimore.