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Visual Art

The Public Art Chronicles Vol III: Norman Kenneth Carlberg’s 1976 “Caterpillar”

On Touching COR-TEN, One Percent for the Arts, and the Effort to Label and Preserve its Legacy

Here, before us at the school, are stripped-down, geometricized versions of four individual caterpillars, poised at different moments in their movements—stretching upward toward the sky, looking ahead, or reaching toward the ground, as if scouting for fallen leaves on the brick foundation...

News & Opinion

BmoreArt’s Picks: March 26 – April 1

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

This Week:  I don’t dream of labor exhibition ongoing at the Galleries at CCBC, Visiting Voices: Supporting Disabled Artist-Educators and Learners lecture at MICA's Hurwitz Center, Womxn of the World Poetry Slam at the Baltimore War Memorial, Trans Day of Visibility at Red Emma's, and more!

Visual Art

Gallery Round-Up: Celebrate Women’s History Month with these Female-Forward Exhibitions

Exhibits featuring Rebecca Strzelec, Rebecca Marimutu, Rosa Leff, and Kelly Walker

Rebecca Marimutu’s "Portraits (Contact),"  Rebecca Strzelec’s "365 Grams," and Rosa Leff and Kelly Walker’s "A Fine Pairing"—at Goucher College, Baltimore Jewelry Center, and Creative Alliance, respectively—made me reflect on my relationship to myself, womanhood, and the women who shaped me.

Visual Art

The Public Art Chronicles, Vol. II: Michelle Santos’ 2011 Mural “Historic Druid Heights”

Two Community Organizers Were Immortalized in a Mural that Ended up on the Front Page of the New York Times as an Illustration for Baltimore's Clap-Back to Donald Trump

It takes a minute to wrench myself out of the cosmic nerve center of this 40-foot wide, 20-foot-tall mural, which Santos created in 2011, and move on to clues and cues that will help piece together the narratives that figurative murals promise to offer up... So, who are these women?

Professional Development & Career

BOPA Announces 18 Sondheim Semi-Finalists for 2024

Three semifinalists will be selected for the final review for the Sondheim Art Prize, which will award $30,000 to a visual artist or visual artist collaborators living and working in the Baltimore region.

This year’s panel of jurors — Noel W. Anderson, Connie H. Choi, and Aaron Levi Garvey — have selected 18 visual artists and visual artist collaborators for the semifinal round.

Words: Cara Ober

Bmore Art