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Duffield’s clocks helped to support the Protestant notion that one should always be doing, rather than simply being. And in that sense, he was an early architect of our own 24/7 culture, with its similar emphasis on the value of constant productivity.
Who is behind this genius work of boundary-busting relational aesthetics? That would be Related Companies, a real estate behemoth that controls a staggering $60 billion worth of property and was founded by former tax attorney Stephen Ross, a friend and fundraiser to Donald Trump.
Anysa Saleh’s photography challenges established methods around portraiture, but her practice is based largely around Yemeni cultural traditions and taboos.
Never have I ever felt more like Thora Birch’s character in "Ghost World" rolling her eyes in mandatory summer school art class than in gallery number 3...
BmoreArt's Issue 15 considers global influence in conjunction with unique aspects of regionalism, examining how disparate cultural elements become a part of our collective conversation.
As a Nuyorican – an individual with Puerto Rican heritage who was either born or raised in New York City – Delgado is proud of her Puerto Rican heritage and cultural experience.
Each May, the American Visionary Art Museum (AVAM) produces and hosts the East Coast Kinetic Sculpture Race Championship on the shore of Baltimore’s Harbor in central Maryland.
The Multi Media Event is one of MICA's must-see annual highlights, where student artists combine garments, sculpture, puppetry, and performance into a gesamtkunstwerk spectacle.
For these two transplants working in education—Evans hails from Tempe, Arizona, and Cazabon from Detroit—Baltimore’s landscape has become important to their work.
Timeless nature, without the compromise of any man made structures, is Joe Hyde's most inspired subject.
An examination of ecology in this current moment in human history, filtered through the lens of artistic and historical pastiche at the Peale
In this interview, Navid shares his journey from being homeless to discovering screen printing and turning it into a career. He talks about his passion for the artform and the satisfaction of bringing people's ideas to life.
The theme was Creature Feature, emphasizing 50's kitsch monster cult films with hints of Old Hollywood ghoulish glam.
Wondering what lay beyond, say, the borders of the ancient Roman Empire or the reach of colonial France?
This year’s finalists were selected by a panel of accomplished jurors — scholar and curator Kelly Baum, artist and curator Devin Morris, and archivist and curator Ingrid Schaffner.