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“All buildings are living systems, and I wanted to live in a building where the builder ⁄ designer knows and feels this in their bones.”
Baltimore's Newest Art Gallery presents Significant Work by Two Artists Married for Several Decades
Lauded in the gallery literature as two artists who “tell tales of material sensibility,” in this debut, the artists occupy opposite poles of an unconsciously related and serendipitous spectrum.
DISordered Systems at Towson University presents four artists with a focus on environmental connections, while Soft Tissues at Brentwood Arts Exchange's Lab Gallery showcases three Washington-based artists who probe fragility and perseverance through fiber arts.
The BMA's New Exhibit Explores the Trajectory and Impact of Quintessential American Culture
Rebecca Rivas Rogers is an artist, designer, and educator originally from Northern Ireland. She holds an MFA in Studio art from MICA and a BA in Design from Glasgow School ...
Omar Ba’s first American museum show, Political Animals, closes this Sunday the 2nd of April, marking the Baltimore institution’s latest exhibition celebrating artists of underrepresented demographics.
A photo essay that captures BSA's gorgeous Schaefer Ballroom in dance, voice, and musical performance
“Find your life’s passion, make your life’s work, and give back to others.”
BmoreArt's team grows to include new editors, a designer-in-residence, media and gallery coordinators, and a video intern
Cramer began exploring mushrooms after years of creating myopic biological imagery and a constant worry about humanity’s impact on the environment.
In Plan B, currently on view at the Rebecca Myers Gallery at Cross Keys through the end of March, artists and jewelers address contemporary reproductive politics using a form from ancient pottery: the Greek amphora.
“I came back to oil, my first love, because it's how I move—it's slow, rich, flexible and giving. I needed this generosity and consistency after so much searching.”
“If you look at adaptive reuse projects, at least half of the building you need is already there,” Karla Brent says. “The energy that was needed to build that was used years ago,” whereas new building projects require production and shipment processes that create pollution and consume raw materials.
In Randi Reiss-McCormack’s gritty, graceful work, there’s wild, yet carefully choreographed dance.