The Orbis Tertius "Hlaer To Jangr" Project is ICA's last in their current space
Overwhelming in every sense and incredible in scale, scope, and color, the Orbis Tertius -Hlaer-to-Jangr exhibition at ICA Baltimore is a feast for the senses.
Spark IV at Maryland Art Place is a group exhibition featuring faculty and students from Towson U and UMBC
Altered time, imagined places, future focus, climate horizon, and equitable future are the themes explored in this multimedia group exhibition.
Photos by Jill Fannon capture these beautiful, tragic, and weirdly punctual insects
Brood X is the largest of all the cohorts of 17-year periodical cicadas, and they are here for just one reason.
New development in Station North making longtime residents and artists concerned about displacement and instability
Is there a way to bring much-needed investment to Greenmount West without displacing the artists?
An artist who combines sculpture, fiber art, and performance into rituals designed to venerate and heal
Tsedaye Makonnen focuses her work in particular on people migrating from Africa across the Atlantic Ocean and Mediterranean Sea, historically and in the present day, drawing parallels between the two.
For every experience lost during this year of quiet, do we gain something else?
I tend to pair images together to complicate things, to show that my life is not one thing or another, that there is always a subtext or a tangent or a side story and nothing is simple.
Reckoning with the past and building a more equitable future
Museum Director Julia Marciari-Alexander and Board President Guy Flynn on creating a sustainable future at the Walters Art Museum
The Baltimore Museum of Art received three major gifts in support of diversity and equity initiatives
The BMA announces major gifts from Eileen Harris Norton, The Rouse Company Foundation and Mr. and Mrs. Jeffrey Legum
No matter your relationship status, the perfect Valentine’s Day gifts that support local creative businesses
A shopping list of twelve Valentine's Day gift options, all made in Baltimore
Why doesn’t Baltimore’s collecting institution buy more art from the artists who live and work here?
You would think that I would be on the same page as our major collecting institution in Baltimore, but I do not understand their “art math.”
ICA Baltimore's Flat File Program offers a wide range of materials, styles, and price points
ICA Baltimore is a volunteer-run art space that looks to promote the professional development of Baltimore and regional visual artists through our programs.
The future is unclear, but making and experiencing art is more essential than ever
These ten exhibits of 2020 provide a fractured but highly ambitious roadmap, messy and democratic and full of brilliant tangents, the perfect puzzle for a precarious and undetermined future.
A performance protest featuring a cast of Baltimore-based artists and bright yellow paint
Zohore’s new performance, enacted across the street from the BMA’s iconic marble steps, co-opts the literal subject of Da Vinci’s “The Last Supper” and considers the museum’s deaccessioning through the lens of religious sacrifice.
BmoreArt's print journal examines power within the context of individual art practices, communities, and institutional structures
Issue 10: Power is BmoreArt's second print journal released since Covid-19 closures
Diversity, Equity, and Inclusion Require Structural Change and Transparency in the Way Museums Acquire and Sell Art
Once an institution starts viewing its collection as revenue-generating assets, how does it reconcile its obligation to the artists it has collected in the past and the curators who made the decisions to collect the art?
The letter indicates conflicting understanding within the BMA itself about the justification for the deaccessions
A group of former trustees and members of Baltimore Museum of Art’s accessions committees sent a letter to Maryland Attorney General Brian E. Frosh requesting that their offices investigate the BMA for its recent decision to deaccession three major works.
Schaun Champion's romantic outdoor photos of Black men and women wearing floral crowns are the images we need right now
The series came from the artist's question: has anyone seen a black flower? No one could give her an answer, but she knew they existed.
Limitations and strategies for art prizes and digital exhibitions during a global pandemic
Conversations with the 2020 Sondheim Finalists: Miguel Braceli, Hoesy Corona, Phylicia Ghee, LaToya Hobbs, Muriel Hasbun, and strikeWare
