“photos by joan cox”
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Downtown 81, a somewhat fictional, hang-out movie starring Jean-Michel Basquiat and Alla Kovgan's assiduous documentary, Cunningham, screening in Baltimore
Voyages: Chapter 3 celebrates the healing power of water through soul-provoking art installations from award-winning artist Nicoletta Daríta de la Brown
Their first goal was to understand just what has been lost: to reconstruct the contours of the expansive collection.
Abdu Ali's $50K National Grant, news from two DC museums, Changes to The Ruby Grants, J.M. Giordano's photos of the Baltimore jazz scene, Pizza, and more reporting from Baltimore Fishbowl, Baltimore Beat, Baltimore Banner, Baltimore Magazine, and more
Nestled on a lively strip in Mount Vernon, Akwaaba House is an 18th-century, three-story building that exudes a love of Black life.
You Wu and their art will undoubtedly survive any impending apocalypse.
Monique Crabb explores loss and longing through a combination of photography and fiber art
We slip on a jacket and slide into a part of them.
The cruelty of our government is overwhelming.
Color-saturated images of favorite Baltimore-based bands inspired by fashion, design, and art
After a residency at The Nicholson Project in DC, Ghee created a container for intergenerational inquiries about care and caregivers
There are so many more stories to tell about female-identifying people throughout history, and so many histories neglected and erased, but it is exciting to see the beginnings of new figures celebrated on this kind of stage.
Tracy Emin at Lehmann Maupin What needs to be said about an art fair where Tracy Emin is the headliner? The booths are big and you can see white wall ...
This Week: Nada Average Tuesday at Motor House, Towson University Holiday Art + Pottery Sale, Ballet After Dark's Black Luxury Ball at Eubie Blake, Under $500 at MAP, Art After Hours at the BMA, BREAKING CODES at SNF Parkway, Holiday Heap at 2640, Current Art Market, and more!
Zohore’s new performance, enacted across the street from the BMA’s iconic marble steps, co-opts the literal subject of Da Vinci’s “The Last Supper” and considers the museum’s deaccessioning through the lens of religious sacrifice.