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Dr. J’s aerial exploits become the associative catalyst for explorations as wide-ranging as pickup-basketball, photography, the slave trade, familial history, and flight of all kinds.
Returning to the beginning, in order to perhaps understand the future, is not easy.
As McCoy puts it, “It is an artistic callout for city officials to see the cause of their neglect.”
Design With Love is a collaboration by Katie Swenson, the director of the Enterprise Frederick P. Rose Architectural Fellowship, and Harry Connolly, a Baltimore-based photographer
Cole’s belief in language as freedom is the catalyst for her life’s work—to motivate Black girls and women to use language as a tool for finding their own authentic power.
Darren is definitely intrigued by the loads of money he could make as a salesperson at Sumwun, but there is more to it.
Issue 10: Power is BmoreArt's second print journal released since Covid-19 closures
The Black Futures project will remain a bastion of the wonder of Black mastery as well as the beauty of Black mundanity.
As the eclipses shake us up, we welcome lively Sagittarius season.
While forward-thinking, Black Futures is simultaneously about Black pasts and Black presents.
With everything in the world in constant disarray, it’s heartening to know one thing has not changed: Sidney Clifton’s vision.
While it sucks that COVID-19 has cancelled turkey dinner and time with our loved ones, we can also use this more low-key Thanksgiving as an opportunity for transformative change.
A lively and mostly persuasive argument that the Shroud of Turin is not Jesus Christ's funerary cloth, but was instead likely fabricated by an artist in the 1350s, and then slowly embraced by Catholic officials who saw an opportunity for profit.
The anthology goes way beyond things that go bump in the night, investigating all the profound ways that humans can be fearful of things, both real and imagined.