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Brown’s installation and photography work, which asks her audience “to confront race and identity in modern terms,” challenges some viewers to recognize microaggressions they may not have previously considered.
The best Baltimore art exhibitions of 2019 looked backward and forward, often simultaneously, probing current and past sociopolitical concerns as well as our increasingly foreboding environmental climate. Artists such as ...
Sun streams in through the large windows at the Walters’ 1 West Mount Vernon Place as Antonio McAfee shows me his installation “Unmaking and Making.” Shadowy faces from long ago, ...
Art Basel Miami Beach and the whole Miami Art Week leading in to it are pretty overwhelming. Usually by the time the actual weekend rolls around I am sick of ...
Judy Chicago’s newest body of work gapes at catastrophe. In The End: A Meditation on Death and Extinction, on view at the National Museum of Women in the Arts through ...
It’s a subtle and quiet idea: photograph one place for a long while. Fair Lawn, Scott Opirhory’s book of photography and accompanying show at Full Circle Fine Art Services’ Gallery ...
After my fourth trip, I finally think I'm beginning to understand Miami Art Week. It's a microcosm of the art world and, when I close my eyes and think about ...
You know that weird feeling of panic you experience in a big-box store in the suburbs? When you look around a Walmart or Target and realize the sheer amount of ...
It's hard to believe Untitled Art Fair started in 2012, because the beachfront fair simultaneously feels young and new, but also institutional and grand. In many mental calendars, the curated ...
A prescient examination of the problems facing the delicate balance of our aquatic ecosystems.
Thomas James sees curating as putting the works of different artists together in fresh combinations, creating new contexts and providing new inroads to the public to review.
Mera Rubell may be the only art collector in Miami who has ridden the city’s oft-forgotten metro. And she’s a fan.
Artist Richard “Rick” Cleaver is showing me the childhood snapshots of his husband, curatorial powerhouse George Ciscle, that he keeps pinned to the door of his home studio. “Why on ...
Institutional critique from women working in the arts on the importance of making lasting, structural changes rather than vague pronouncements on equity for women in museum collections.
Amber Robles-Gordon’s multimedia installation at the Nicholson Project delves into emotional and physical histories of the bodies of women of color in scientific and medical contexts.