Visual Art

Visual Art

William Chambers explores the art of participation, one hand towel at a time by Cara Ober Whether embodying the destruction of the home in the “Obsessive Dollhouse”, rethinking dreams and ...

Kara Mercer Interviews Aden Weisel, Director at Galerie Myrtis Aden Weisel is the gallery director and curator for Galerie Myrtis, located in Baltimore. She is a MICA graduate with a ...

A Conversation with Mikhaile Solomon, Director and Founder of Prizm, Art Basel Miami Beach's only art fair dedicated to artists of color After completing its third year at Art Basel Miami ...

Karen Fish Reviews New Arrivals: Late 20th Century Photographs from Russia & Belarus at the BMA New Arrivals: Late 20th Century Photographs from Russia & Belarus, curated by Rena Hoisington, ...

by Sasha Waters Freyer *Sponsored by Virginia Commonwealth University VCU’s nationally ranked Department of Photography & Film  welcomes applications to our 2016 Summer Studio Program. Summer Studio is a supportive, rigorous artistic residency ...

Saskia Krafft Interviews Maika’i Tubbs about his work and experiences as an Artist in Residence at the Museum of Arts and Design Maika’i Tubbs utilizes found detritus to create sculptures and installations ...

The Current Dynamics of Art and Politics by Kerr Houston Grand statements about the landscape of contemporary art often read as strained or hyperbolically provocative. But here’s one that seems relatively safe: ...

(above photo: A Crankie by Katherine Fahey) Baltimore's Crankie Fest at Creative Alliance is fertile ground for the revival of an old storytelling art form by Kara McDonagh In a ...

One of Baltimore's Largest Art Venues is Reborn by Cara Ober I assumed that Space Camp, the new name for the Baltimore art space formerly known as D:Center, was a reference to ...

Lauren Van Slyke captures the first BMA After Hours Event on January 15 According to the BMA, Art After Hours is a lively new series of evening events with activities, inspired by ...

It should come as no surprise that the traditional history of art from an American academic perspective upholds a storyline of the white male genius

The NGA demonstrates a veritable tunnel vision and communicates a tired and stagnant rendition of modern art, one that excludes just as much as it precludes broader understandings of modernity.

Alex Ebstein's Favorite Exhibitions of 2015 2015 was an exciting and important year for the arts in Baltimore. Many of the exhibits and projects that made it unique and special have already been ...

René Treviño interviews curator John Chaich about Queer Threads at MICA Queer Threads is not a niche exhibition brought to MICA for fiber students or to fill a diversity or ...

An interview with John Paradiso by Paul Shortt John Paradiso makes works that blend craft, masculinity, and sexuality together in fiber artworks that address male identity. His work confronts viewers with ...

Alloverstreet is a night of simultaneous art openings and events spanning the many art spaces of E Oliver Street in the Station North Arts and Entertainment District. The first Alloverstreet ...

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