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Ashworth emphasizes that while the space has technological origins, its primary mission is to serve as a venue for human creativity, allowing individuals to engage authentically and expressively in theater.
Since her arrival in Baltimore nearly a decade ago, Couture’s profile as entertainer and host has risen in a way that has been anything but chaotic.
Last month Jake Xerxes Fussell brought luminous, heartwarming guitar and deeply sentimental singing to Metro Gallery for his Baltimore debut.
These films comprise conscious attempts to reverse the colonial gaze of settlers, anthropologists and documentarians, and to speak meaningfully of and to Indigenous subjects.
Perfect for Pride Month, Baltimore’s Premier Queer Theater Manifests a Much Needed Feel-Good Musical About a Boy Who Dreams to be a Drag Queen
As a Baltimore native and graduate of NYU’s Tisch School of the Arts, Sennaar has developed a voice that is as distinct as it is clever.
Visual artists, business owners, musicians, performers, and so very much excellent food from the APIMEDA (Asian, Pacific Islander, Middle Eastern and Desi American) communities are annually featured in a series of tours, events, and exhibitions.
A&I, which launched on Friday, April 19th at The Voxel in Baltimore, combines experimental dance, ambient soundscapes, minimalist stage design, and innovative lighting techniques with a high-tech concept.
With The Hot Wing King, Baltimore Center Stage serves up a lively spread of rapid-fire one-liners, spicy moves, and camaraderie that serves as an entree to a discussion of contemporary Black manhood through April 28
Wendel Patrick is an associate professor of music engineering at the Peabody Institute at Johns Hopkins University; he is also a composer, producer, beatmaker, pianist, sonic architect, photographer, and videographer. But how has he sustained a career with such a diverse breadth of work?
"If I were genuinely paralyzed by my own criticism, I probably wouldn't be able to do anything. I would stop myself. But there is always a moment when I forget about everything else, I forget about time, and I put down whatever I have in my mind. That is music for me."
Pigeonaire's production of Sailing Over a Cardboard Sea is a thoughtful reflection on the responsibility that scientists have to their societies.
At 24 years old, Tyler is a prolific musician, producer, and festival organizer.
Chesapeake Shakespeare Company's current production, an adaption of Aeschylus’ Oresteia trilogy by Ellen McLaughlin, is brilliantly directed by Lise Bruneau and features outstanding performances by Isabelle Anderson as Clytemnestra and Lizzi Albert as Electra. On stage through March 10.