A photo essay collaboration between a Baltimore-based photographer and his daughter
The National Aquarium in Baltimore is a place for our children to wonder, dream, and stare starry-eyed at a world much larger than their home.
On the Baltimore artist's ever-evolving practice
“I do not have the collage without photography. There is no photography without community,” Wallace says.
How to make decisions, build community and kinship, and create spaces for liberation
Like a good therapist, Populoh’s inquisitive nature gets anyone in conversation with her to view the world from a new perspective.
Creating context and conversation through a collection of classical and contemporary African art
By displaying contemporary works by African and diasporic artists with objects of historical measure into a setting for conversation, gatherings, and family, the Ojikutus have built a life around art devoid of the artificial distinctions that most museums have perpetuated for centuries
A rewarding show of rarely seen prints that examines gynophobia in early print culture to the eventual rise of first-wave feminism
This show is richly rewarding, due in large part to a range of rarely seen objects and some truly clever juxtapositions.
Animals and infrastructure of the Baltimore Zoo
Tsucalas's work is punctuated with razor-sharp compositions, a curious sensitivity, and a plucky sense of humor, both romantic and critical.
The art jeweler, vocalist, and BMA program manager is constantly thinking about metal—for its malleability and its permanence
Largely self-taught, Beale now mostly allows her intuitive process to guide her from design to realization of new pieces.
Curating exhibitions and leading the Mare Residency Program, Ward explores migration, identity, Blackness, and womanhood
In her practice as a creative director, curator, and writer, Tiffany Auttrianna Ward asks questions about archives, storytelling, endurance, and existence in both physical and digital space, exploring themes of migration, identity, Blackness, and womanhood.
The Baltimore-based and process-oriented sculptor receives the $25,000 award
The Sondheim Finalist Exhibition is on view at the Walters through July 18.
Downtown gallery Resort ends its three-year run with solo shows featuring Sophia Belkin and Sasha Fishman
There is much to consider about depletion and extraction in a low- or no-budget art space within a gentrifying city.
Kris Fulton of Sophomore Coffee on hospitality, inspiration from 'Cheers,' caramel macchiatos, and more
Fulton wants Sophomore to be a place for people to have experiences—some of them hopefully a little more profound than my remembrance of being sweaty and late—a place where friends can gather and conversations can be sparked.
The Orbis Tertius "Hlaer To Jangr" Project is ICA's last in their current space
Overwhelming in every sense and incredible in scale, scope, and color, the Orbis Tertius -Hlaer-to-Jangr exhibition at ICA Baltimore is a feast for the senses.
Spark IV at Maryland Art Place is a group exhibition featuring faculty and students from Towson U and UMBC
Altered time, imagined places, future focus, climate horizon, and equitable future are the themes explored in this multimedia group exhibition.
Photos by Jill Fannon capture these beautiful, tragic, and weirdly punctual insects
Brood X is the largest of all the cohorts of 17-year periodical cicadas, and they are here for just one reason.
New development in Station North making longtime residents and artists concerned about displacement and instability
Is there a way to bring much-needed investment to Greenmount West without displacing the artists?
Monaghan’s themes of power, technology, and rampant consumerism speak to the unique challenges of today’s attention economy
The wolves feel like stand-ins for Americans, full of desire for the traditional trappings of empire while simultaneously feeling empty and repulsed by the barren world that surrounds us.
In this collection of work, Munroe focuses on his relationship to Black single fatherhood, a multidimensional and intimate subject
The scenes are distorted and dreamlike, and Munroe knows just when to stop and let the material do the work.
Through performance and wearable sculpture, Corona examines themes such as othering, fear of death, white supremacy, and the climate crisis
Each piece selected and displayed within the walls of the Walters—an institution with its own admitted history of othering and white supremacy—reveals the evolution of an artistic practice by a multidimensional creator making multidimensional work.
