The Barclay native discusses teaching and learning, art as sustenance, and starting grad school in her 60s
"I like to encourage them that this is yours; own it, own its greatness. I say there’s always a blessing in the lesson."
An art dog photo essay with images from Issue 11 and outtakes
Canine Comfort: Our Art Dogs, a series of portraits of dogs in Baltimore-based artists' studios
In her Frederick Arts Council show, Dillin explores isolation and connection within ongoing economic decline
"I wanted to convey the feeling of the isolation and emptiness of the space but also connection . . . almost like you’re falling in love with that stranger, or at least having an intense curiosity."
The myth of museum neutrality, why slowing down matters, and making authentic structural changes
Culture Strike is essential reading for art museum professionals, board members, artists, and cultural community members
Dyer explores the shaky balance between overconsumption and deprivation
Nicole Dyer has an intimate knowledge of scarcity and overindulgence, and her exuberant canvases, papier-mâché sculptures, and installations explore the universal hunt for satisfaction through depictions of everyday products from the supermarket that surround us.
The artist and swimmer on navigating the business side of things, establishing routines, and dealing with the failure gremlin
“Someone told me years ago, you have to be your biggest fan and always remind yourself of that when you’re in doubt.”
The environmental scientist's painted fictions
Cho describes herself as a convergence of art and science, an artist and environmental scientist who wants to blur the boundaries between her fields through her compelling acrylic paintings.
A photo essay collaboration between a Baltimore-based photographer and his daughter
The National Aquarium in Baltimore is a place for our children to wonder, dream, and stare starry-eyed at a world much larger than their home.
On the Baltimore artist's ever-evolving practice
“I do not have the collage without photography. There is no photography without community,” Wallace says.
How to make decisions, build community and kinship, and create spaces for liberation
Like a good therapist, Populoh’s inquisitive nature gets anyone in conversation with her to view the world from a new perspective.
Creating context and conversation through a collection of classical and contemporary African art
By displaying contemporary works by African and diasporic artists with objects of historical measure into a setting for conversation, gatherings, and family, the Ojikutus have built a life around art devoid of the artificial distinctions that most museums have perpetuated for centuries
A rewarding show of rarely seen prints that examines gynophobia in early print culture to the eventual rise of first-wave feminism
This show is richly rewarding, due in large part to a range of rarely seen objects and some truly clever juxtapositions.
Animals and infrastructure of the Baltimore Zoo
Tsucalas's work is punctuated with razor-sharp compositions, a curious sensitivity, and a plucky sense of humor, both romantic and critical.
The art jeweler, vocalist, and BMA program manager is constantly thinking about metal—for its malleability and its permanence
Largely self-taught, Beale now mostly allows her intuitive process to guide her from design to realization of new pieces.
Curating exhibitions and leading the Mare Residency Program, Ward explores migration, identity, Blackness, and womanhood
In her practice as a creative director, curator, and writer, Tiffany Auttrianna Ward asks questions about archives, storytelling, endurance, and existence in both physical and digital space, exploring themes of migration, identity, Blackness, and womanhood.
The Baltimore-based and process-oriented sculptor receives the $25,000 award
The Sondheim Finalist Exhibition is on view at the Walters through July 18.
Downtown gallery Resort ends its three-year run with solo shows featuring Sophia Belkin and Sasha Fishman
There is much to consider about depletion and extraction in a low- or no-budget art space within a gentrifying city.
Kris Fulton of Sophomore Coffee on hospitality, inspiration from 'Cheers,' caramel macchiatos, and more
Fulton wants Sophomore to be a place for people to have experiences—some of them hopefully a little more profound than my remembrance of being sweaty and late—a place where friends can gather and conversations can be sparked.
