An artist who combines sculpture, fiber art, and performance into rituals designed to venerate and heal
Tsedaye Makonnen focuses her work in particular on people migrating from Africa across the Atlantic Ocean and Mediterranean Sea, historically and in the present day, drawing parallels between the two.
An artist forcing us to ask not only “What is this?” but the much more unnervingly delicious, “When is this?”
Sohn uses commercial ceramics techniques overwhelmingly used to create uniform multiple objects, and experiments with the process at various stages to create unique objects that can’t be mass reproduced
A week of reviews of each of the five Sondheim finalists and their exhibits at the Walters
This week we will publish individual reviews of Hae Won Sohn, Tsedaye Makonnen, Hoesy Corona, Lavar Munroe, and Jonathan Monaghan
The sculptor talks about moving to Baltimore during the pandemic, thinking with your hands, and singing to your plants
Lucien’s work is an investigation of how everyday materials can function as metaphors recalling an absence or intimacy of the human body
An interview with Sonya Clark about her survey show at NMWA
Taking over an entire floor of the museum, the show is a massive undertaking that showcases 100 works in a survey spanning Clark’s career.
A conversation with the Dallas-based artist after his first series of shows on the East Coast in the Spring of 2021
A rebellious artist exploring his location and position through his necessary work, David-Jeremiah invites viewers to name their relationship to his America and their America as well.
How the sculptor selects materials, why Baltimore is her 'Bermuda Triangle,' and what goes into the hour-long pandemic salad
Adapting and problem solving excite Maghazehe and motivate her materially centered sculpture practice.
Bradford’s Mother Paintings feel like deep breaths exhaled into a changed world
The figures populating the Mother Paintings live among slabs of heavy, humid air, hypersensitized in their responses to claustrophobic and caustic atmospheres.
His murals dot Baltimore City and are immediately recognizable for their realism, sense of color, and strong, often political narratives
"Our abilities are not proprietary and should not be hoarded. If someone needs assistance producing a mural, I try to make myself available."
Moyer's solo exhibition Analog Time at Chelsea's DC Moore Gallery presents new works on canvas and paper
Moyer’s calm demeanor that has weathered the art world and beyond gave me solace during a time when having a studio practice can feel monumental and frivolous all at once.
A conceptually crisp and sharp critique of American xenophobia and racism
The stock icon has yielded to something darker and more ominous.
Constantly pursuing the feeling of learning something new, Bathgate finds himself experimenting on the edge of the technologies he employs
It’s important to Bathgate that his works be makeable, at least by someone with his extremely specific skill set, which he admits only a few people in the world possess.
For every experience lost during this year of quiet, do we gain something else?
I tend to pair images together to complicate things, to show that my life is not one thing or another, that there is always a subtext or a tangent or a side story and nothing is simple.
Hager's signature all-over designs can be found on skate decks, chairs, T-shirts, hats, purses, paper
Many of his most popular works are the clothing that he draws on, unique works of art that travel with the wearer to bars, concerts, and gatherings.
Hellzones, moments, and several stages of limbo
I don’t fully register when the anxieties of one reality morph into ten other kinds in this new reality, but April is where it is, in my head.
Timothy App: States of Mind at Goya Contemporary
In discussing his work, App likes to allude to his lifelong attempt to find what he calls authentic ways of making a painting.
The T. Rowe Price Foundation President talks about community self-determination, sharing resources, and hanging out with Prince
"What communities are asking for is to be heard and to determine their own futures."
How a full-time artist and a Baltimore City councilperson have built their art collection
“Everything in this house represents the person, so every piece of art is an intimate connection to that artist,” Fostel says. “Having their work on our walls constantly keeps them in mind.”
