Visual Art Page 48
Connect+Collect Lecture 04: Collector Philippa Hughes and Artist Zoë Charlton
Collecting is all about relationships!
How to organize a studio visit, how to build relationships between artists and collectors, and what to do when your studio is a hot mess.
Steve Ziger Brings the Intersection of Art, Architecture, Design, and Social Practice Home
How Architect Steve Ziger, of Ziger/Snead Has Influenced Baltimore’s Built Environment, Starting with his Own Home
The collection speaks to the city’s diversity, talent, and the collectors’ ambition to foster a more sustainable and equitable art ecosystem.
Required Reading for Artists: Barbara Bourland’s Fake Like Me
A New Novel Explores the Battles that Play Out in Every Artist’s Head While Deliciously Skewering the Art World
Barbara Bourland's novel about a young female artist earnestly making paintings in NYC in the early ‘90s captures all of the magical pain of being an artist
The Perils and Pleasures of Institutionalizing “Camp” at The Met
Susan Sontag created a sprawling and unwieldy definition in 58 points published in 1964 which inspired the Met's Costume Institute’s current exhibition Camp: Notes on Fashion
If you have never encountered the concept of camp before, but saw some of the pictures of what the glitterati were wearing to the Met Gala, you might be forgiven for thinking it had something to do with ruffles, feathers, and general absurdity in fashion.
An Interview With Ruth Pettus
Ruth Pettus’ enormous paintings of isolated massive figures emerged in exhibitions locally in the early 1990s. Each painting portrays a single mysterious male form wearing a suit that hangs like soaked armor.
