What defines a great exhibition and how do they generate collective energy and wisdom?
If great exhibitions are the currency of museums, which ones in Baltimore are offering audiences rich and substantive investments?
Pop Nostalgia and Melancholy Technicolor Criticality Collide with the American Fever Dream
Da Corte has several ambitious mixed-media installations presently on view at Glenstone—injecting an unexpected bit of kitschy neon suburban dystopia into the bucolic institution's minimalist halls. It's a show worth the pilgrimage.
This year's Ornamenta theme is "Ruby," so all things RED will be trending!
The annual Baltimore Jewelry Center Gala Event on Feb. 7 offers dinner, drinks, dancing - and a jewelry auction featuring incredible wearable art.
Squishy, Political, and Visceral Textile Works at Goucher College’s Silber Gallery
"Soft Flesh and Volatile Insides" upends expectations in Goucher College’s Silber Gallery. This group exhibition—including works by Monique Crabb, Charlotte Richardson-Deppe, Ash Garner, and Stephanie J. Williams—utilizes textile as a core material and its softness becomes a vehicle for tension.
Between Kitsch and Crisis: Baltimore’s Unsung Middle Ground in Color at the Peale Museum
The Peale Museum will host a reception for Joseph Mario Giordano's "The Secret City: New Works in Color Film" Friday, January 16, 6–8 p.m.
"The Hour Of The Dog" and the Politics of Enmity at the BMA
If official security doctrine dreams of a purified nation, sealed against contamination, "The Hour of the Dog" insists on mixture, residue, and relation. It asks us to remain in the twilight—to resist the comfort of absolutes, to listen again, and differently, to voices that refuse to fade.