Magazine
We are living through a major historical event and it's essential that we record our experiences.
Craft materials, like art materials, need to be utilized to generate new and personal meanings that have relevance, that also engage with the world of ideas.
We now know that this will be a matter of months, rather than weeks: the Cleveland Museum of Art has already canceled all programming through the end of June, and the Metropolitan Museum of Art expects to remain closed at least through July.
He could have easily written beautiful and empty things, instead his life's work was naming racism and calling out the art world’s whiteness.
You Wu and their art will undoubtedly survive any impending apocalypse.
All of these cancellations are, of course, in the best interest of everybody’s health, but especially those of us whose immune systems are less resilient or suppressed.
What if the observation, repetition, and cultivation of pleasure found in ornamentation were central to human existence?
Welcome to FOLLOWING, a new series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
The exhibition centers hope, humor, and ritual as humanizing strategies to investigate and negotiate the impacts of migration.
What choices do we have now and what future will we end up with?
For visual artists, curators, performers, composers, and publishers, the purposeful creation of new archives, as well as the respectful transformation of past collections, is a common threat that unifies us on a quest to tell new stories and to diversity existing archives.
News Briefs are a compilation of art news around the Baltimore region.
Walking through Delita Martin's solo exhibition, Calling Down The Spirits, felt like I was flipping through my grandmother’s photo albums, seeing intimate details of people that I could never know: a turn of the neck, an upward cast of an eye.
You don’t have to be a connoisseur or a Catholic to enjoy this medieval relic.
Unlike Basel, where you know the names of every single artist and gallery, at Maco there was so much space for discovery.