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In her new column, Maryland Public Art Commission Chair Kathy O'Dell deep-dives into the little-known histories behind Baltimore's oft-overlooked public art treasures. First up is Cuban sculptor Teodoro Ramos Blanco's bust of rebel and intellectual José Martí.
When UMBC reached out to BmoreArt to help spread the word about the program, I thought immediately about Lexie and our decision to apply together years ago. The current round of applications for IMDA close on February 1st, and I thought it would be useful for potential candidates to hear our stories
There is an interesting juxtaposition between the medium of tintype and the subject of refugees. Volkova’s project aims to fix, however momentarily, a population defined by movement—people dislocated by war.
This Week: Susan Muaddi Darraj + Carla Du Pree in conversation at Bird in Hand, Lisa Moren panel discussion at The Peale, Baltimore Jewelry Center presents Neve Coppersmith virtual artist talk, opening reception for Polly Apfelbaum at the Mitchell Museum, and more!
For the second annual Baltimore MET Gala, the stylish elite took on the theme of the four elements: earth, air, fire, and water.
Frazier and Griffin's shared vision has made possible a series of narrative works that bring otherwise overlooked corners of Baltimore to the forefront of public attention.
As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.
There’s a chance one of Graham Coreil-Allen’s artworks has saved your life. Coreil-Allen’s collaborative “painting” practice—colorfully cascading across sidewalks, asphalt, and other infrastructure—is as much about the objective probability of preventing deaths as subjective aesthetics.
This Week: Motor House DAP Showcase featuring The Storage Unit Collective at Keystone Korner, Hyunsuk Erickson, Kini Collins, and Fanni Somogyi exhibition opening at Creative Alliance, Vagabond Player's "Witness for the Prosecution," and more!
Memorable and Award-winning Essays, Illuminating Baltimore's Cultural Landscape in Unexpected Directions This Year
While the Walters has been able to boast of one of the strongest collections of Ethiopian art in the world since the 1990s, the current exhibition offers a meaningful attempt to tell a complex and relational visual history in unprecedentedly detailed ways.
A Vast Network of Creative Community is Revealed in the Enigmatic Artistry of Quilter Elizabeth Talford Scott
Stellarium Jewelry, The Modest Florist, La Loupe Design, Studio JMCG Jewelry, Camp Small, New Vintage by Sam, Bazaar, Local Color Flowers, Baltimore Spirits Company, Taste This Cake, Sacred Ashes, Baltimore Print Studios, Personal Best Ceramics, Milkweed Ceramics, 228 Grant Street Candles, Baltimore
Liberty & Injustice features labor-intensive, clever, immersive works of art that captivate and inform.
Is this a good year for galleries? That depends on who you ask. At the main fair, booths with challenging or innovative artworks are about as common as faces with intact buccal fat—they're few and far between and take some effort to spot.