Is there a way to bring much-needed investment to Greenmount West without displacing the artists?
The wolves feel like stand-ins for Americans, full of desire for the traditional trappings of empire while simultaneously feeling empty and repulsed by the barren world that surrounds us.
Each piece selected and displayed within the walls of the Walters—an institution with its own admitted history of othering and white supremacy—reveals the evolution of an artistic practice by a multidimensional creator making multidimensional work.
Tsedaye Makonnen focuses her work in particular on people migrating from Africa across the Atlantic Ocean and Mediterranean Sea, historically and in the present day, drawing parallels between the two.
Sohn uses commercial ceramics techniques overwhelmingly used to create uniform multiple objects, and experiments with the process at various stages to create unique objects that can’t be mass reproduced
This week we will publish individual reviews of Hae Won Sohn, Tsedaye Makonnen, Hoesy Corona, Lavar Munroe, and Jonathan Monaghan
Lucien’s work is an investigation of how everyday materials can function as metaphors recalling an absence or intimacy of the human body
Taking over an entire floor of the museum, the show is a massive undertaking that showcases 100 works in a survey spanning Clark’s career.
A rebellious artist exploring his location and position through his necessary work, David-Jeremiah invites viewers to name their relationship to his America and their America as well.
The figures populating the Mother Paintings live among slabs of heavy, humid air, hypersensitized in their responses to claustrophobic and caustic atmospheres.
"Our abilities are not proprietary and should not be hoarded. If someone needs assistance producing a mural, I try to make myself available."
Moyer’s calm demeanor that has weathered the art world and beyond gave me solace during a time when having a studio practice can feel monumental and frivolous all at once.