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Artworld Global

A Ladder to the Cosmos: Alex Da Corte at Glenstone

Pop Nostalgia and Melancholy Technicolor Criticality Collide with the American Fever Dream

Da Corte has several ambitious mixed-media installations presently on view at Glenstone—injecting an unexpected bit of kitschy neon suburban dystopia into the bucolic institution's minimalist halls. It's a show worth the pilgrimage.

Visual Art

Fiber with Guts: Soft Flesh and Volatile Insides

Squishy, Political, and Visceral Textile Works at Goucher College’s Silber Gallery

"Soft Flesh and Volatile Insides" upends expectations in Goucher College’s Silber Gallery. This group exhibition—including works by Monique Crabb, Charlotte Richardson-Deppe, Ash Garner, and Stephanie J. Williams—utilizes textile as a core material and its softness becomes a vehicle for tension.

Film

John Akomfrah: Twilight Against the Doctrine

"The Hour Of The Dog" and the Politics of Enmity at the BMA

If official security doctrine dreams of a purified nation, sealed against contamination, "The Hour of  the Dog" insists on mixture, residue, and relation. It asks us to remain in the twilight—to resist the  comfort of absolutes, to listen again, and differently, to voices that refuse to fade. 

Visual Art

“A Little Bit Nasty”: A Conversation with J Taran Diamond

What the Metalsmith Makes of Pearls, Fake Hair, and the Unsung Heart

All of the work that I make is, to some extent, rooted in my own personal experience, but I try to be a bit less visually representative of “This is art about being a transgender woman of color” and more like “This is two materials interacting with one another in a way that I find relatable.” 

Bmore Art