From "Mining the Museum" to Making it More Accessible, Few Art Workers Have Left as Indelible a Mark on Institutional Practice
“I didn’t want to be the center of things... I wanted to see what would happen creatively from this group of people that were not me. I wanted to be the facilitator.”
"Rob Wants to Make People Happy; He Aims to Please" is on View at von ammon co. This Month
"Every act of art feels like a resurrection to me.... an act of trying to bring it to life, like Frankenstein trying to breathe life into his monster. I only feel something is complete when it goes from a flat line to having some heartbeat."
The modern Fête bridges MICA's 200-year history with contemporary artistic practice, and is a revival of events that originated in the late 1920s
MICA has leaned into this historic milestone by mining its rich and storied past, hosting a Bicentennial Gala called the Fête of Lights on February 21, at the Main Building and Cohen Plaza, featuring wearable art, art installations, a student-led fashion show, parade, and massive party.
Originally from Baltimore and now based in LA, Smith is an abstract painter and sculptor who manipulates mountains of fabric.
“All my creativity, spirituality, and skills that I utilize today—and wherever I go—came from Baltimore,” Smith says.
"Slippy Authorship" Infiltrates EGATNIV Vintage, Will Host a Closing Reception March 7, 6-8 p.m.
Against this backdrop of circulation and reuse, Rui Jiang and the Flying House Arts Collective have assembled thirteen Baltimore-based artists to question the very premise of artistic authorship.
Julia Kim Smith's Transit arrives at a moment when the language of displacement has become uncomfortably familiar.
Smith, the daughter of Korean refugees who immigrated to the United States after the Korean War, assembles fifteen years of work spanning video, text, embroidery, and blood into a reckoning that refuses the comfort of metaphor.