You would think that I would be on the same page as our major collecting institution in Baltimore, but I do not understand their “art math.”
ICA Baltimore is a volunteer-run art space that looks to promote the professional development of Baltimore and regional visual artists through our programs.
Although businesses are struggling because of Covid restrictions, this season we wanted to make it easier to patronize Baltimore-based artists and shops and to luxuriate in the amazing range of quality that you can support through your purchases.
Christmas is an immovable force in the Baltimore arts landscape, a textbook multihyphenate mother, dancer, producer, and the founder of the nonprofit arts organization Muse 360 Arts.
Copeland's collection is a reflection of the depth and width of her 30-year career in museums: contemporary art, functional works traditionally sidelined as craft, and objects of historical importance for what they remind us about where we come from.
Contemporary art jewelry, designed to be beautiful and comfortable, enhances the wearer's daily experience.
This edition of Quarantine Diaries features five Baltimore-based gallerists and curators who have adapted their practices to create new opportunities for artists to survive and thrive through quarantine
This new phase of programming allows us to congregate and experience art together safely, on the street or in our cars from a distance.
Progressive art studios are philosophically integral to disability rights and social justice.
What doesn’t fit in their apartment waits in storage as they rotate pieces in and out, rendering their home as both a gallery and a domestic space, enriched by their love for art and artists.
This edition of Quarantine Diaries features three artists whose exhibition at BmoreArt’s Connect+Collect Gallery was postponed.
Now the textures of the art I have collected are more real, more tangible, than the textures of human faces.
NMWA’s recent acquisitions include 166 photos by Mary Ellen Mark, a mixed-media portrait by Delita Martin, three large-scale photos by Rania Matar, and a six-foot-long chandelier by Joana Vasconcelos
FAIR was designed for the internet and functions with a profit-sharing model with percentages going directly to artists and their galleries, a cooperative gallery sales pool, and a cooperative artists sales pool, with a smaller percentage going back to NADA.