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For the second annual Baltimore MET Gala, the stylish elite took on the theme of the four elements: earth, air, fire, and water.
Frazier and Griffin's shared vision has made possible a series of narrative works that bring otherwise overlooked corners of Baltimore to the forefront of public attention.
As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.
Mobtown is about more than just connecting with a dance partner, it’s about connecting with the city you live in and the people around you.
The second annual Lost Weekend was an intimate and fun event featuring something for Baltimoreans of all ilk.
In the days after her devastating and untimely passing in early December 2023, friends, peers, and artistic partners shared anecdotes reflecting on the breadth and versatility of Elena Johnston the person, the artist, and her body of work spanning multiple genres.
Liberty & Injustice features labor-intensive, clever, immersive works of art that captivate and inform.
A new film captures a last bastion of anachronistic DIY paradise. The Senator Theater will host screenings and Q&A sessions with the filmmakers December 8 and 9.
To say the work is political would be an understatement. To paraphrase her aunt at the opening: "Hey Heidi why don’t you tell us where you stand politically?" But it is more than that, it is about being an artist, being a mother, being a partner, and being a feminist in these ever so uncertain times
Pothik Chatterjee’s global upbringing—Kolkata, India, Dubai, Paris, Abu Dhabi, and Jakarta—is abundantly clear in his abstract art on display in a solo show at Highlandtown Gallery.
Coinciding with the U.N. Climate Change Conference, Baltimore-based Plays and Readings
Ashleigh Bryant Phillips and Joseph Grantham started Hidden Palace, a reading series for poetry and fiction, at Fadensonnen
Baltimore Is Truly a City of Artists. This New Book Aims to Explore Why and How from a Variety of Diverse Perspectives.
Although the work was created out of loss and grief, there is little sadness to be found. Quite surprisingly, the paintings burst with energy and connection, with the promise that everything is a cycle; there isn’t really an end.
In just 100 pages, the author, recipe developer, designer, and illustrator have made the case that there is a uniquely American cuisine: the story of migration, colonialism, and what comes after.