Contributing Editor
Michael Anthony Farley is an artist, critic, curator, and drag performer who splits their time between Barcelona, Baltimore, and Mexico City. They are a graduate of MICA and UMBC and formerly an art critic at Art F City. Michael writes about contemporary art, the global art market, art fairs, and urban planning. Message them with pitches and ideas for us! Email: Michael Farley IG: @juvederm_delinquent
Campy horror aesthetics, charmingly faux-naive techniques, abstract allusions to the body, environmental concerns and more
With 82 galleries representing 37 countries, the surprisingly compact fair is dense with content.
This Saturday, Muse 360 is throwing a fundraising celebration at the Eubie Blake Cultural Center as the arts education nonprofit searches for a new home
Since 2005, Muse 360 has called the Howard Street cultural center home, but now faces the all-too-familiar challenge of finding another affordable space to host dance classes, meetings, and other events.
Proceeds benefit the Ukrainian Emergency Art Fund, which gives cultural workers emergency financial aid
This concrete gesture of solidarity is Elena Volkova’s way of “trying to turn grief into something productive,” she says. “Better than being curled-up crying on the floor.”
An interview with the star of ‘Adventures in Success’
it’s not much of a challenge for Baltimore artist Lexie Mountain’s character Pegasus “Peggy” Appleyard, the ambiguously-intentioned sex cult leader, to take charge of her flock.
Featuring the central fair Zona MACO, a collaborative show organized by galleries called Arthouse Project, and the artist-centric crowdpleaser Salón ACME
I sometimes think that CDMX is Baltimore's bigger, cooler, distant cousin.
How the painter incorporates AI, apps, and IG into her practice
"[Painters are] constantly trying to find new ways of presenting these symbols for the eye to interpret, but also let them become their own thing. But then this AI comes along, and look! It can just do it in a few seconds!"
Trends and Sightings at The Big Fair Miami Beach
While it’s exciting to see works of art by well known favorites at Art Basel, it's a treat to discover new artists and galleries and this year’s big fair provided a slew of new names and programs to follow.
Dispatches from Untitled Art Fair and NADA at Miami Art Week 2021
The term horror vacui, or “fear of the vacuum,” remained stuck in my head… could this new maximalism be a reflection of the claustrophobia of lockdown life and fear of loss?
Three Baltimore exhibitions worth a visit this week
Bill Schmidt and Jan Razauskas’ Spatial Fabrications at MONO Practice, Color and Illusion: The Still Lifes of Juan Gris at the BMA, and Rania Matar’s She at C. Grimaldis Gallery.
The curator-centric show favors colorful, crafty, and playful work that transforms its banal context—two vacant floors of a Manhattan office building
This year, dozens of curators were invited to organize exhibitions around the theme HEARSAY:HERESY—a timely prompt in this age of fake news and ever raging culture wars, yet one that often manifested in decidedly Medieval aesthetics.
Speaking the language of memes, real-world visual puns reveal the tragicomedy of contemporary life
FOLLOWING is a series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
Uncanny Resemblances Between Art and Fran Drescher’s Wardrobe from Campy ‘90s Sitcom 'The Nanny'
Welcome to FOLLOWING, a new series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
