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Seph Rodney, visiting curator, at CPM Gallery, talks about Chakaia Booker, Leonardo Drew, and Trenton Doyle Hancock
As we walk through Remington, the blue squiggles of “Ghost River” zig and zag through traffic, bike lanes, and—somewhat disconcertingly—dead end in front of an awful lot of housing, implying that the ground beneath highrises and heavy brick rowhomes might not be as solid as we would like to think.
Baltimore's favorite water ballet is back with a clever riff on the Olympics.
Multiplicity is not a show about Black collage, it’s about Blackness in American collage which is entirely different.
Friends and Colleagues of the BMA Museum Guard, a prolific artist and writer, share their memories
A conversation with artist about her relationship with her grandmother, her archival process, and turning the unfolding of Joan Poncella Sterling's life into an exhibition.
In October of 1973, Pang accompanied Lennon to Los Angeles to promote his album "Mind Games." What followed was an incredible 18 month adventure of star-studded parties, road trips, and unparalleled (if not uneven) creative output leading to Lennon’s comeback success. All the while, she took photos.
The sophomore Robert E. Meyerhoff and Rheda Becker Biennial Commission
Transformer hosts about six exhibitions every year, transmogrifying its 14th & P street shoe-box space each time as far as these artists’ imaginations can push it.
How else could Baltimore properly honor the legacy of Elizabeth Talford Scott, but with radical unconventionality, centering community and accessibility?
The Rubys support artists in Baltimore City and Baltimore County working in performing, media, visual, and literary arts.
These films comprise conscious attempts to reverse the colonial gaze of settlers, anthropologists and documentarians, and to speak meaningfully of and to Indigenous subjects.
Hamidi's 500-foot mural will stretch along both walls of the Maryland Avenue bridge between Lanvale and Oliver Streets midtown.
Brilliant Exiles comprises nearly eighty artworks depicting sixty American cultural influencers who went to Paris on the eve of World War II.
This month, Kathy O'Dell takes readers on a ride through, above, below, and behind Pat Alexander's beloved "Geometro" mosaic in the Lexington Market Metro station. Plus, the sad stories of two Alexander works that Baltimoreans can no longer enjoy.