Visual Art

Visual Art

"When you bring things together, you can make new connections."

On taking things apart to put them back together

Smail's new exhibit is equal parts blended diversity and congruous incongruity.

Smail’s carefully constructed work is built crisply, with shifting visual echoes.

Fletcher creates her textiles with an unconventional material—Kanekalon hair.

Walking into one of Artise Fletcher’s textile workshops, which explore societal beauty standards and individual relationships to hair, audiences typically “come into it skeptical, not knowing what to expect,” she says.

A major exhibition at the NGA probes doubles and difference

The exhibition opens up the inexhaustible problems of the double, demonstrating how art is particularly well suited to explore them.

Contemporary Jewelry Inspired by the Walters Museum Collection at the Baltimore Jewelry Center

Featuring Jackie Andrews, Mara Colecchia, Nicole Dest-Forrester, Caitlin Duckwall, Luci Jockel, Andy Lowrie, Kerianne Quick, Sarah Parker, Risa Reyes, and Ashlee Wetta.

Two ceramics exhibitions at Towson University push the limits of the medium, with an artist talk by kelli rae adams tomorrow, Oct. 6

"Ex-tend, Ex-cess: Metamorphosis in Clay" is a compelling celebration of the versatility of ceramics. "fortune:folly" is a powerful and captivating show in which kelli rae adams explores and criticizes current financial systems.

BmoreArt's Suzy Kopf & Rebekah Kirkman talk about the orange boom and its marketing and mythologies

How did a notoriously hard-to-grow fruit spawn a whole industry?

Jackie Milad talks about her solo booth at the Armory Show, a residency at the Academy Art Museum, a travel grant, and a BMA commission

Considering the process of an art career in conjunction with creating good art is essential in achieving goals that might have previously been unattainable

'The Space Between Us' at Gallery CA recontextualizes experiences that are personal yet also universal

By recontextualizing personal and universal experiences and focusing on artists who are Black, Indigenous, and people of color, the show presents an opportunity for other BIPOC artists to continue breaking the mold of what abstraction can look like: a fundamentally multifaceted form of expression.

Embodying aesthetic intimacy, an observer takes on the posture of an intimate, as opposed to a consumer.

Aesthetic intimacy shifts us from positions of consumer-consumable into the relational  reciprocity that can shift the way we perceive art and artists.

The Memphis-born artist sees the transformative power of improvisation and repurposing

No longer an athlete, or even a die-hard sports fan, Donahue is more concerned with the storytelling aspects of sports.

How the artist balances athletic, energetic personal work with a bustling creative business

Walker hitchhiked to Baltimore at age 18 and fell in love with the architecture and culture of the city immediately.

Hatleberg has recorded a world that is “forgotten without ever being quite remembered.”

The book's title, River’s Dream, comes from Hatleberg's desire for his child to be able to enter the same dream state of heightened perception he himself works in.

Step right up and beat your hope to death at the world's most depressing art show!

Curated by Kader Attia and titled Still Here!, this year’s edition mulls the lasting impacts of colonialism, modernity, globalization, and ecological exploitation and collapse—as well as dozens of tangentially related ills.

Nancy Dorman and Stanley Mazaroff’s Bucolic Space for Contemporary Art

The rich patina of age and nature upon the original structure, a significant work of art in itself, elevates the unique contributions of contemporary artists to this region.

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