Visual Art

Visual Art

BmoreArt's Suzy Kopf & Rebekah Kirkman talk about the orange boom and its marketing and mythologies

How did a notoriously hard-to-grow fruit spawn a whole industry?

Jackie Milad talks about her solo booth at the Armory Show, a residency at the Academy Art Museum, a travel grant, and a BMA commission

Considering the process of an art career in conjunction with creating good art is essential in achieving goals that might have previously been unattainable

'The Space Between Us' at Gallery CA recontextualizes experiences that are personal yet also universal

By recontextualizing personal and universal experiences and focusing on artists who are Black, Indigenous, and people of color, the show presents an opportunity for other BIPOC artists to continue breaking the mold of what abstraction can look like: a fundamentally multifaceted form of expression.

Embodying aesthetic intimacy, an observer takes on the posture of an intimate, as opposed to a consumer.

Aesthetic intimacy shifts us from positions of consumer-consumable into the relational  reciprocity that can shift the way we perceive art and artists.

The Memphis-born artist sees the transformative power of improvisation and repurposing

No longer an athlete, or even a die-hard sports fan, Donahue is more concerned with the storytelling aspects of sports.

How the artist balances athletic, energetic personal work with a bustling creative business

Walker hitchhiked to Baltimore at age 18 and fell in love with the architecture and culture of the city immediately.

Hatleberg has recorded a world that is “forgotten without ever being quite remembered.”

The book's title, River’s Dream, comes from Hatleberg's desire for his child to be able to enter the same dream state of heightened perception he himself works in.

Step right up and beat your hope to death at the world's most depressing art show!

Curated by Kader Attia and titled Still Here!, this year’s edition mulls the lasting impacts of colonialism, modernity, globalization, and ecological exploitation and collapse—as well as dozens of tangentially related ills.

Nancy Dorman and Stanley Mazaroff’s Bucolic Space for Contemporary Art

The rich patina of age and nature upon the original structure, a significant work of art in itself, elevates the unique contributions of contemporary artists to this region.

A studio visit between art educators/artists Linda Popp and Karen Carroll

After four decades working in Baltimore County art education, Linda Popp focuses on her art, investigating relationships and the concept of time and place through mixed media.

A place of motion, movement, and community

A key tenet of photovoice is that the goal is not to create technically sound photographs—and yet, in relieving that pressure, so much of the work was visually exciting.

John Tyler, a multi-instrumentalist, created Love Groove Festival to enable visual, musical, and performing artists to mix

“I was so in love with everything, and it seemed like a good way to bring different communities together," Tyler says.

Artist Luba Drozd and curator Vlad Smolkin in conversation with Elena Volkova

There are no speakers to amplify the sounds; everything reverberates through the materials and the architecture of the gallery.

To Go Faster at Current Space is a cohesive group exhibition about the impact of our cultural obsession with velocity

A dynamic group show that explores the rapid pace of society, the collective need to move at a brisk speed, and how that affects our surroundings.

Images from Station North's Greenmount West Art Walk on Friday, August 26

Photos by Elena Volkova of Open Works, Area 405, Baltimore Jewelry Center, Blue Light Junction, The Cork Factory, and more

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