Abdu Ali's nomadic curatorial platform as they lay includes sound and performance art, poetry, and more.
With all of us ostensibly inside, talking less or at least talking to less people, the appeal of hearing voices that aren’t our own for extended periods of time has taken on a certain restorative luster.
COVID cancellations don’t just deprive filmmakers of a chance to show their movies to audiences, but it’s at festivals where movies end up being purchased for distribution.
“We’re a small group of film enthusiasts with a sense of humor and a low tolerance for stupidity,” The Cinephobe told BmoreArt.
This meandering documentary uses the 1997-1998 Chicago Bulls season (the last one with Jordan and, therefore, the last time the Jordan-led team won big) as scaffolding for a larger story about Michael Jordan and basketball.
With set times for morning cartoons and kid stuff, lots of movies, live musical performances, and original programming, there’s a mixtape quality to QuaranTV.
Never Rarely Sometimes Always is something of a procedural, except the procedure here isn’t a police investigation or anything along those lines, it’s an abortion.
Fantastic Fungi is also a portrait of a community of mushroom obsessives—who journalist Eugenia Bone beautifully describes as, “bloated pleasure-seekers with a scientific bent.”
The town of Bacurau fights back, they do some damage, and it feels like a victory for its characters and for viewers, a blueprint for imminent direct action and self-defense.
Baltimore filmmaker Marnie Ellen Hertzler’s Crestone feels like a great piece of outré journalism. It found the sweet spot of making you feel as though you’re there watching something happen and commenting on it all only when necessary.
A less cloying way for “mainstream” movies to ponder #MeToo, an encouraging trend in Hollywood movies
What looks like a staid costume drama is more like if Chantal Ackerman got ahold of a Merchant-Ivory movie.
Cotton Comes To Harlem, The Monkey Hustle, and Amazing Grace