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Performance: Music, Theater, & Dance Page 5

Performance: Music, Theater, & Dance

The Composition of Wendel Patrick

How Happenstance, a First Memory, and Improvisation Shaped Who the Artist is Today

Wendel Patrick is an associate professor of music engineering at the Peabody Institute at Johns Hopkins University; he is also a composer, producer, beatmaker, pianist, sonic architect, photographer, and videographer. But how has he sustained a career with such a diverse breadth of work?

Performance: Music, Theater, & Dance

Standing Firm at Thirty: an Interview with Blonde Redhead’s Kazu Makino

The Vocalist Reflects on Three Decades of Growth, Songwriting, the American Dream, and Going Home to Family in Japan

"If I were genuinely paralyzed by my own criticism, I probably wouldn't be able to do anything. I would stop myself. But there is always a moment when I forget about everything else, I forget about time, and I put down whatever I have in my mind. That is music for me."

Performance: Music, Theater, & Dance

Saved by the Chorus: The Oresteia at Chesapeake Shakespeare Company

Murder! Retaliation! And More Reasons to See the New Adaptation of Aeschylus’ Ancient Greek Drama

Chesapeake Shakespeare Company's current production, an adaption of Aeschylus’ Oresteia trilogy by Ellen McLaughlin, is brilliantly directed by Lise Bruneau and features outstanding performances by Isabelle Anderson as Clytemnestra and Lizzi Albert as Electra. On stage through March 10.

Food & Drink

The Club Car Pulls into Station North

A Pop-up Queer Cabaret and Art Space Breathes New Life into Storied North Avenue Market Locale

What happens when you give a group comprising drag queens, vintage furniture enthusiasts, theater kids, and a mixologist free reign over a vacant storefront for six weeks? Find out this weekend at the closing of "Bad Casting and Other Questionable Decisions: Paintings by Alix Tobey Southwick."

Performance: Music, Theater, & Dance

Are You Looking At Me? The Chinese Lady at Everyman Theatre

The Historic Story of Afong Moy Speaks to a Present Audience, Through November 19th

The two-person cast, Tuyết Thị Phạm (Afong Moy) and Đavid Lee Huỳnh (Atung), under Nana Dakin’s skillful direction, show the effect of cultural exploitation on the individual. They also, along with the talented design team, raise the question of whether we are complicit in that exploitation.

Bmore Art