Limitations and strategies for art prizes and digital exhibitions during a global pandemic
Conversations with the 2020 Sondheim Finalists: Miguel Braceli, Hoesy Corona, Phylicia Ghee, LaToya Hobbs, Muriel Hasbun, and strikeWare
Subjects of Asia Kenney's portrait series define for themselves what womanhood means
Eight pro tips from a professor on creating demo videos for art students
If all else fails, try to channel the confidence of Oprah.
Three Baltimore-based Artists Exhibiting Together
This edition of Quarantine Diaries features three artists whose exhibition at BmoreArt’s Connect+Collect Gallery was postponed.
On the BMA's reopened sculpture garden and the future of monuments
It’s hard to reconcile my rich memories of the place with what now reads as a limited and parochial landscape.
In Church’s world, bodies are much more likely to remain isolated than to touch
Now the textures of the art I have collected are more real, more tangible, than the textures of human faces.
The six 2020 Sondheim Finalists include five interdisciplinary and visual artists and one three-person artist collective.
This year marks the 15th for Artscape's $25,000 Sondheim Prize
MdHS Curatorial Assistant Emily Bach searches for the stories in textiles
On any given day, curatorial assistant Emily Bach could be restoring a quilt from the collection, writing object condition reports, or conducting research on a new donation.
NMWA’s collecting practices have significantly diversified the art world since 1987
NMWA’s recent acquisitions include 166 photos by Mary Ellen Mark, a mixed-media portrait by Delita Martin, three large-scale photos by Rania Matar, and a six-foot-long chandelier by Joana Vasconcelos
A Durational Performance Designed by Ada Pinkston
MAWU: TheEndisTheBeginningIstheEnd is an eight-hour durational performance that combines the history of Juneteenth with the legacy of Lucy Parsons, the revolutionary labor organizer who fought for the eight-hour workday.
Adapting to virtual platforms, cooperative sales models, and what a future art world could look like
FAIR was designed for the internet and functions with a profit-sharing model with percentages going directly to artists and their galleries, a cooperative gallery sales pool, and a cooperative artists sales pool, with a smaller percentage going back to NADA.
A Report from AVAM, BMA, BMI, MHS, NMWA, Peale Center, Reginald F. Lewis Museum, and The Walters
Innovative offerings designed for a digital space and supporting community outreach
Led by materials and natural curiosity, Cheng's interdisciplinary practice is ever-evolving
For Cheng, the environment of the interdisciplinary studio, simulated in art school by classroom work time and interaction with the students, is the most important.
Performance artist Monsieur Zohore collaborates with NY galleries New Release and Palo to raise legal funds for protestors
All proceeds go directly to Baltimore Action Legal Team, an organization that offers legal services to protesters and has been operating a bail fund since April 2015
Chromati creates complex and dynamic abstracted paintings of figures anchored in the experiences of Black women’s lives and bodies
The Delaware Contemporary will celebrate Stepping Out to Step In, Chromati’s Platform Gallery commission with a public “drive-thru” opening from 5 to 8 pm on Friday, June 19.
A studio visit with Safiyah Cheatam, Afrofuturist, conceptual and social practice artist, UMBC Intermedia & Digital Arts MFA Candidate
Like Afrofuturists before her, Cheatam carries on the legacy through her evolving studio practice, through her daily existence, and through elements that incorporate her training as a filmmaker.
After Covid-19 postponement, Issue 09: Craft is coming! If you want to own it, please subscribe via our website.
Issue 09: Craft celebrates Baltimore’s incredible makers, visionary artists, and creative businesses
"My work rides a fine line between fine art and craft, if such a line exists."
Rosa Leff's self-taught paper-cutting practice began at her dining room table
