In the late 1980s, a selection of new projects funded by the National Endowment of the Arts caught the concerned eye of Congress.
If you have never encountered the concept of camp before, but saw some of the pictures of what the glitterati were wearing to the Met Gala, you might be forgiven for thinking it had something to do with ruffles, feathers, and general absurdity in fashion.
Jencso manipulates our attention to be just as glued to the devices as the girl in the image appears to be.
I felt completely okay shedding a few tears in the Dispersive Archives exhibition.
What can we do against such extreme forces of nature?
A Gallery Roundup by Cara Ober and Bret McCabe If summer is a time for quietly experimental survey shows, September is blockbuster season. This fall, Baltimore is exploding with ambitious ...